Skip to main content

New Age World Instrumental: Mikuskovics Baum-Timeless

Release Date: December 21, .2018
Label: Independent

Mikuskovics Baum has a new release titled Timeless. It is significant that the date of release is the beginning of the Winter Solstice.

I think it is imperative that I took a snippet of information from the artist website so you can understand a bit more about them and their music.

Bernhard Mikuskovics & Georg Baum present sensitive and intimate but yet passionate and wild early European and Indo-European songs, dances and tunes as well as timeless improvisations in a contemporary outfit using vocals, overtone singing, jodeling, harp, guitar, Jew’s harp, bowed psaltery, ocarina, ethnic flutes & instruments.

That is a fair introduction to these two talented gentlemen. There are seven tracks and none under 6 minutes in length. The first track comes in at a substantial 11:36. The harp is a slice of heaven, the sounds that it makes are mesmerizing and quite appealing. When the other instruments are mixed in, or should I say the plethora of sounds, it creates amazing results. I think it is fair to say that the title of this artistry is appropriate. The music you will enjoy hearing is simply put, Timeless.

Timeless is the perfect blend of ancient traditions and new technologies for sound. Taking worldly instruments and using the recording studio’s wizardry is a marriage that works very well. I have had the pleasure of hearing these types of recordings many times now. The combination of new age and world fits like a glove or your favorite pair of jeans, the ones with the worn-out knees so you see nothing but white thread. Now that is pure comfort.  That is the key element here, feeling comfortable with the music. The sounds of so many wondrous instruments make it an easy transition. It is a magic door to open into musical nirvana. You then begin to envision your own personal heaven with the music.

Admittedly there are some instruments listed in the tracks that I have never heard of. That does not phase me, I just endeavor to learn more about what is being presented. The Sruti Box, for instance, uses bellows to create the drone you will hear and the KouXian is a general Chinese term for any variety of jaw harp. So, you not only hear the traditional Jew’s Harp you get different variations and configurations of that type of instrument. I find all this fascinating. There is so much more inside the music than meets the ears (and inner eye). There are cultures, traditions, and endless information that you can be exposed to, all you need is a little curiosity. When one listens to this recording and does some research, not only does it enlighten you, you become well informed with a new-found appreciation of what went into this music and how it was created.

Timeless is beauty, serenity, earthy tones, colors, the sounds and sights of many different peoples of the world coming together, it is like tapping into a global spiritual vein of gold. This is one of the more unique and interesting albums I have heard all year and a wonderful way to close out 2018 and head into the Holidays and bring in the new year. 

I look forward to 2019 with the anticipation of many more journeys offered by so many talented individuals like Mikuskovics and Baum. This is one recording you cannot miss out on if you enjoy instrumental world music with a variety of instruments. 

Keith “MuzikMan” Hannaleck
December 20, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks:
 1. Timeless Zenith (B. Mikuskovics / G. Baum)
Bernhard Mikuskovics: Parmupill, Mojave Flute, Native American Flute, Sruti Box, Georg
Baum: Harp

2. Intuition Element (G. Baum / B. Mikuskovics)
Georg Baum: Harp, Celtic Harp, Bernhard Mikuskovics: Sound Bowl, Mexican Log Drum,
Overtone Harp, Overtone Singing, KouXian, Sruti Box, Native American Flute

3. Mirror Ideal (G. Baum)
Georg Baum: Harp, Bernhard Mikuskovics: Dvojacka, Quenacho, Fujara, Jew´s Harp

4. Emotion Trance (G. Baum / B. Mikuskovics)
Georg Baum: Harp, Bernhard Mikuskovics: Sruti Box, Native American Flute, Khomus,
Horn Pipe, Ocarina

5. Life Land (B. Mikuskovics)
Bernhard Mikuskovics: Sound Bowl, Overtone Singing, Sruti Box, Fujara, Quenacho,
Dvojacka, Georg Baum: Harp

6. Endless Ozean (G. Baum / B. Mikuskovics)
Georg Baum: Harp, Bernhard Mikuskovics: Native American Flute.

7. Same Source See (G. Baum / B. Mikuskovics)
Georg Baum: Harp, Bernhard Mikuskovics: Khomus, Quenacho, Mojave Flute, Sruti Box,
Parmupil

Comments

Popular posts from this blog

New Age Instrumental Review: Anaya Music-AONKI – Gateway of Love (Cosmic New Age Music)

Release Date: February 2, 2018 Label: Anaya Music Website
Around this time a year ago I had the experience of listening to Anaya Music and providing coverage of Eternity.  It was an uplifting experience and a memorable listen as I recall.
Now with February drawing closer AONKI – Gateway of Love (Cosmic New Age Music) will arrive.
Once again, the recording features several exceptional collaborations between Anaya Music and a live virtual symphony orchestra recorded in the heart of Prague, the capital of the Czech republic. The orchestra combines members of the finest ensembles in Prague, including the Czech Philharmonic.
I think they should rename the orchestra to “The Live Spiritual Orchestra.” If you have been exposed to Anaya Music you will understand what that means. If this is your first journey with this music you will find out very quickly. Either way, this is spiritually uplifting music that leaves a smile on your soul. It’s like the term digital footprint, there is an everlasting m…

Jazz Fusion-Rock-Pop-Funk Review: Project Grand Slam-Trippin’

Release Date: June 29, 2018 Label: Cakewalk Records Website
This will be my sixth voyage into the world of Project Grand Slam (PGS). So, what is this experience going to be like this time? I would expect the same great combination of jazz, rock, funk, and pop that I always enjoyed.

Just so you all know PGS is: Robert Miller (bass), Mario Castro (saxophones), Bayden Goyo (keyboards), Joel E. Mateo (drums), Guillermo Barron Rios (percussion), Tristan Clark (guitar) and the beautiful Ms. Ziarra Washington (vocals).

So, now we are Trippin’ into 2018 with PGS. And the first track titled “1972” was like turning on the radio and hearing the Average White Band or Tower of Power. Yes sir, on the AM dial, it came blaring through back in those days. 

The title track is a real gas too. This number has some great sax from Castro and a killer rhythm section courtesy of Miller and Mateo. It shines the spotlight on them clear and bright. Let me tell you, those two are like the dynamic duo, kind of like a p…

New Biography on The Cars Singer/Bassist Benjamin Orr by Vermont Writer Joe Milliken to be Published November 2018!

Bellows Falls, VT – Veteran music journalist Joe Milliken recently announced a publishing deal with the Lanham, Maryland-based publisher Rowman & Littlefield Publishers to produce his first book, a biography about the late Benjamin Orr. Orr was the co-founder, co-lead singer, and bassist for the platinum-selling rock band The Cars. Titled Let’s Go! Benjamin Orr and The Cars, a release date is set for November 15, 2018.

Often considered the band’s heartthrob, Orr possessed an incredible voice, diverse musical talent and rare stage presence, all balanced by a magnetic, yet enigmatic personality, striking good looks, and a relentless determination to reach rock stardom. Born Benjamin Orzechowski (aka “Benny Eleven Letters”) and raised in the Cleveland suburb of Parma Heights, Orr was, prior to becoming a world-famous rock star with The Cars, a “teen star” as a house band musician for the nationally syndicated television show Upbeat.

A few years later Ben met his musical partner and …