Skip to main content

Bass Icon Stu Hamm To Tour The US In Support Of New Album "The Diary of Patrick Xavier"


Legendary bassist Stu Hamm will be touring the US end of February in support of his highly anticipated new concept album “The Diary of Patrick Xavier”! Stu Hamm has been the go-to bass player for the world's great musicians. Time spent playing with Steve Vai and Joe Satriani has cemented his place among the greats and gave him the platform to display his pioneering bass techniques to adoring crowds worldwide.

“The Diary of Patrick Xavier”

2015 started out with a bang. My life was tossed in a blender, and I decided to go on a walkabout to sort things out. I booked as many gigs as possible and became the Flying Dutchman of bass players. Those of you who actually know me, know that I am always reading something. And, as much as I love the convenience of my Kindle, and reading comics on my iPad, nothing beats the feel and smell of actually holding a book in your hands. When I finish a book, I leave it in the seat pocket in front of me (if I'm in a plane), or hide it somewhere in the hotel room, where I hope that housekeeping won’t find it, but a bored, lonely fellow traveler might…pay it forward y'all!!

And so…I finished reading “The Shadow-Line” by Joseph Conrad on the beach in Pescara, and pedaled it back with me at the end of the day to Citta'Bianca Hotel and placed it on the bookshelf in the lobby…Then, something caught my eye…It stood out because what was written on the spine was in English. “The Diary of Patrick Xavier”. What I held in my hands was a diary of an American named Patrick Xavier who, after life changing events, had decided to travel for 18 months to find…???...and to keep a journal of his physical, emotional and spiritual journey. And now it gets weird. Although the Agent of Change that happened to Patrick was quite different from what happened to me, the experiences he was going through were just too close to my own to be ignored. We were searching for the same answers to the same questions.

Reading what he went through was heartbreaking, hilarious, inspiring, and all too familiar to me. Anyway, it was all very intriguing. This is how music is created. I came upon the idea to write songs based on P.X.'s journal entries…or at least the ones that mirrored my own experiences and that I could relate to in such a way as I could get the point of the text across musically. I won’t quote directly from his journal entries, but will give a brief description of what he wrote that moved me to write the music. Our man Patrick is a much better writer then me, or maybe…the writer I would have liked to become had my life tilted differently at key moments. The names and places have been changed to protect the guilty… the innocent can take care of themselves. - Stu Hamm

Stu Hamm has traveled the world from Boston to Belfast to Budapest, Bali and Berlin. He's performed in a 19th century circus tent with Joan Baez, and recorded a duet of “Do Right Woman” with her. HAMM  has performed with Mick Jagger, played sold out shows at Royal Albert Hall and in front of 120,000 people in Mexico City with a Mexican Rock Band.

Hamm graduated from the Berklee College of Music in Boston, where he met guitarist Steve Vai and, through him, met Joe Satriani. He played bass on Vai's 1984 debut solo album, “Flex-Able” and in 1990 Hamm was awarded the Distinguished Alumni Degree from his Alma Mater.  He has performed and recorded with Steve Vai, Joe Satriani, Eric Johnson, Michael Shenker, Frank Gambale, and many other well-respected guitarists, however, it was playing live on tour with Satriani that brought Hamm's skills to national attention. Subsequent recordings with Satriani and other rock/fusion artists along with the release of his own solo recordings (featuring keyboard player Tommy Mars, guitarists Alan Holdsworth and Robert Fripp, drummers Steve Smith and Tommy Lee), solidified his reputation as a bassist and performer.

Stu Hamm solo tour dates:
FEBRUARY 27, TUE - St. Paul, MN (Vieux Carré)
FEBRUARY 28, WED - Milwaukee, WI (Shank Hall)
MARCH 1, THU - Chicago, IL (Reggie's)
MARCH 2, FRI - Indianapolis, IN (Irving Theater)
MARCH 3, SAT - Evansville, IN (Mojo's BoneYard)
MARCH 4, SUN - St. Louis, MO (Fubar)
MARCH 6, TUE - Cincinnati, OH (MVP)
MARCH 7, WED - Detroit, MI (Token Lounge)
MARCH 8, THU - Cleveland, OH (Wilbert's Music)
MARCH 10, SAT - Kenneth Square, PA (Kenneth Flash)
MARCH 11, SUN - New Hope, PA (Havana)
MARCH 15, THU - Marlboro, NY (The Falcon)
MARCH 16, FRI - Providence, RI (Alchemy)
MARCH 17, SAT - Boston, MA (The Middle East Upstairs)
MARCH 18, SUN - Brookline, NH (Oak Hill Music Hall)
MARCH 20, TUE - Piermont, NY (The Turning Point)
MARCH 21, WED - Pawling, NY (Darryl's House)
MARCH 22, THU - Schenectady, NY (The Van Dyck Lounge)
MARCH 23, FRI - Syracuse, NY (Funk 'n Waffles Downtown)
MARCH 25, SUN - Rochester, NY (Lovin' Cup)
MARCH 27, TUE - Buffalo, NY (The Tralf)
MARCH 28, WED - Toronto, ON (The Garrison)

For more information:
www.stuarthamm.net/
www.facebook.com/StuHammBass

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Comments

Popular posts from this blog

Rock Review: Aunt Mary-New Dawn

Release Date: 12th February 2016 Label: Wind-Up Website
Aunt Mary, as a name, somehow suggests an “older” band and it came as no real surprise to find that they are a Norwegian prog band from the 70’s. The band were considered by many to be one of the best prog bands in Norway with their brand of music a mixture of heavy hard rock tunes plus clear indications of a more symphonic nature, although that only really showed itself on their 3rd, and last, studio album, Janus, in 1973. Last that is, until now, with the release of New Dawn. This would appear to be an apt title for a release which follows 24 years after an album of blues covers, released in 1992. 

At their height, Aunt Mary were “up there” with the likes of Deep Purple, Ten Years After, King Crimson, Jethro Tull and many more. After the release of Janus in 1973, the band split up but did a few sporadic appearances, as well as releasing the blues covers album mentioned earlier.

3 years ago, the Norwegian guitar legend and producer, …

New Age Instrumental Review: Anaya Music-AONKI – Gateway of Love (Cosmic New Age Music)

Release Date: February 2, 2018 Label: Anaya Music Website
Around this time a year ago I had the experience of listening to Anaya Music and providing coverage of Eternity.  It was an uplifting experience and a memorable listen as I recall.
Now with February drawing closer AONKI – Gateway of Love (Cosmic New Age Music) will arrive.
Once again, the recording features several exceptional collaborations between Anaya Music and a live virtual symphony orchestra recorded in the heart of Prague, the capital of the Czech republic. The orchestra combines members of the finest ensembles in Prague, including the Czech Philharmonic.
I think they should rename the orchestra to “The Live Spiritual Orchestra.” If you have been exposed to Anaya Music you will understand what that means. If this is your first journey with this music you will find out very quickly. Either way, this is spiritually uplifting music that leaves a smile on your soul. It’s like the term digital footprint, there is an everlasting m…

Jazz Fusion-Rock-Pop-Funk Review: Project Grand Slam-Trippin’

Release Date: June 29, 2018 Label: Cakewalk Records Website
This will be my sixth voyage into the world of Project Grand Slam (PGS). So, what is this experience going to be like this time? I would expect the same great combination of jazz, rock, funk, and pop that I always enjoyed.

Just so you all know PGS is: Robert Miller (bass), Mario Castro (saxophones), Bayden Goyo (keyboards), Joel E. Mateo (drums), Guillermo Barron Rios (percussion), Tristan Clark (guitar) and the beautiful Ms. Ziarra Washington (vocals).

So, now we are Trippin’ into 2018 with PGS. And the first track titled “1972” was like turning on the radio and hearing the Average White Band or Tower of Power. Yes sir, on the AM dial, it came blaring through back in those days. 

The title track is a real gas too. This number has some great sax from Castro and a killer rhythm section courtesy of Miller and Mateo. It shines the spotlight on them clear and bright. Let me tell you, those two are like the dynamic duo, kind of like a p…