Skip to main content

Audio Fidelity To Release Guitar Innovator Michael Hedges “Aerial Boundaries” on Limited Edition SACD


“The acoustic guitar re-invented...a musical flight of fancy!”

Camarillo, CA – Marshall Blonstein's Audio Fidelity will be releasing guitar innovator Michael Hedges critically acclaimed album Aerial Boundaries on a limited edition hybrid SACD! This will be the first time that the celebrated album has been made available on the SACD format.  It is important to note the "hybrid" SACD is compatible with all standard CD players and no special audio equipment is needed to enjoy the brilliant, remastered sound of unquestionably one of the most groundbreaking albums in acoustic guitar history.

Aerial Boundaries is the record that presented Michael Hedges to the world as the ultimate acoustic guitar visionary, stretching the limits of the instrument to accommodate his uncanny musical ideas. There are moments on the record where it seems impossible that so much music is coming from one man and his guitar. The liner notes inside the SACD booklet assures the listener that the guitar is the origin for every sound heard...attacking his instrument, snapping strings, banging on the fingerboard with his right hand.

The songs on Aerial Boundaries are all beautiful and haunting and it is this emphasis on composition over technique that makes this such an important recording. Hedges' tracks feature layer upon layer of musical complexity and every performance expands the dynamic range of the instrument. Stirring, complex compositions like “Rickover's Dream,” “Spare Change,” and an ingenious instrumental take of Neil Young's “After the Gold Rush” are on full display. Hedges could be seductively quiet and suddenly explosive...slow or fast, timid or thunderous.

“There was simply no one like him,” Bonnie Raitt said of Michael Hedges following his untimely death in 1997, “a very gifted performer, arranger and composer whose music sounded like nothing that had come before it." Aerial Boundaries remains the late composer-guitarist's seminal work, and its innovations in technique, tuning, tone, and intensity remain key texts in modern acoustic circles. Hedges electronically manipulated some of the guitar sounds to an almost unrecognizable point and still managed to create music of untarnished beauty and so very rich in classical harmony.

Aerial Boundaries is also available from Audio Fidelity on a deluxe 180g high quality vinyl pressing.

Tracks:
1. Aerial Boundaries
2. Bensusan
3. Rickover's Dream
4. Ragamuffin
5. After the Gold Rush
6. Hot Type
7. Spare Change
8. Ménage à Trois
9. The Magic Farmer

Produced by Will Ackerman, Michael Hedges, Steven Miller

Engineered by Steven Miller, Oliver Di Cicco, Bill Mueller, Michael Hedges

Mastered for this release by Kevin Gray at Cohearent Audio

For more information: www.audiofidelity.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Comments

Popular posts from this blog

Rock Review: Aunt Mary-New Dawn

Release Date: 12th February 2016 Label: Wind-Up Website
Aunt Mary, as a name, somehow suggests an “older” band and it came as no real surprise to find that they are a Norwegian prog band from the 70’s. The band were considered by many to be one of the best prog bands in Norway with their brand of music a mixture of heavy hard rock tunes plus clear indications of a more symphonic nature, although that only really showed itself on their 3rd, and last, studio album, Janus, in 1973. Last that is, until now, with the release of New Dawn. This would appear to be an apt title for a release which follows 24 years after an album of blues covers, released in 1992. 

At their height, Aunt Mary were “up there” with the likes of Deep Purple, Ten Years After, King Crimson, Jethro Tull and many more. After the release of Janus in 1973, the band split up but did a few sporadic appearances, as well as releasing the blues covers album mentioned earlier.

3 years ago, the Norwegian guitar legend and producer, …

New Age Instrumental Review: Anaya Music-AONKI – Gateway of Love (Cosmic New Age Music)

Release Date: February 2, 2018 Label: Anaya Music Website
Around this time a year ago I had the experience of listening to Anaya Music and providing coverage of Eternity.  It was an uplifting experience and a memorable listen as I recall.
Now with February drawing closer AONKI – Gateway of Love (Cosmic New Age Music) will arrive.
Once again, the recording features several exceptional collaborations between Anaya Music and a live virtual symphony orchestra recorded in the heart of Prague, the capital of the Czech republic. The orchestra combines members of the finest ensembles in Prague, including the Czech Philharmonic.
I think they should rename the orchestra to “The Live Spiritual Orchestra.” If you have been exposed to Anaya Music you will understand what that means. If this is your first journey with this music you will find out very quickly. Either way, this is spiritually uplifting music that leaves a smile on your soul. It’s like the term digital footprint, there is an everlasting m…

Jazz Fusion-Rock-Pop-Funk Review: Project Grand Slam-Trippin’

Release Date: June 29, 2018 Label: Cakewalk Records Website
This will be my sixth voyage into the world of Project Grand Slam (PGS). So, what is this experience going to be like this time? I would expect the same great combination of jazz, rock, funk, and pop that I always enjoyed.

Just so you all know PGS is: Robert Miller (bass), Mario Castro (saxophones), Bayden Goyo (keyboards), Joel E. Mateo (drums), Guillermo Barron Rios (percussion), Tristan Clark (guitar) and the beautiful Ms. Ziarra Washington (vocals).

So, now we are Trippin’ into 2018 with PGS. And the first track titled “1972” was like turning on the radio and hearing the Average White Band or Tower of Power. Yes sir, on the AM dial, it came blaring through back in those days. 

The title track is a real gas too. This number has some great sax from Castro and a killer rhythm section courtesy of Miller and Mateo. It shines the spotlight on them clear and bright. Let me tell you, those two are like the dynamic duo, kind of like a p…