Skip to main content

Prog Rock Review: Magic Pie-King For A Day

Release Date: 25thMay 2015
Label:  Karisma Records

Magic Pie has just released their 4th album, King For A Day, following on from the debut, Motions of Desire (2005), Circus of Life (2007) and The Suffering Joy (2011).

The Norwegian band is highly regarded amongst prog fans with their unique blend of classic prog and 70’s hard rock. The band have listed as influences a sort of Who’s Who of prog, including Spock’s Beard, Dream Theater, Genesis, Pink Floyd, Transatlantic, Yes, Deep Purple and more. 

Magic Pie is a 6 piece band comprising, Kim Stenberg (guitars, vocals), Eirikur Hauksson (lead vocal, guitar), Eirik Hanssen (voc, guitar), Jan Torkild Johannessen (drums), Erling Henanger (keyboards, backing vocals) and Lars Petter Holstad (bass, backing vocals). Eirikur Hauksson also provides vocals for Kerrs Pink, another Norwegian progressive band.

King For A Day is a 6 track album with a total playing time of around 72 minutes, which is a fair amount of music to put on a CD, especially with some releases under or just over 40 minutes. Listeners can however, rest easy in the fact that the quality of the music is very high, so not quantity over quality, just superb progressive music. The penultimate track, “The Silent Giant” is the shortest track on the album clocking in at 5:30 minutes and the final, title, track “King For A Day” is the epic tour-de-force of the album at 28:16 minutes.

“Trick Of The Trade” (6:18) is the opening track on King For a Day and has all the trademark sounds of Magic Pie, with a thundering start into stunning keyboards almost immediately. The vocals appear around 40 seconds and the music settles back a little before the track shifts tack just after the 1 minute mark. There are some harmonized vocals with keyboard flourishes that take the track on past the 2 minute point and to another switch. Superb guitar work carries the track on into another phase and a section of chunky guitar riffing. A return to an earlier passage brings the action down a little in intensity and we are back at a keyboard theme from the start plus much more keyboard work. The guitar takes over the lead for a section then relinquishes that position to the keyboards and some more vocal harmonies appear and we have reached 6 minutes, when the keyboards escort the track out. This is a cracker of a track to start the album.

“Introversion” (12:24) has an acoustic guitar intro into synths which is simply magical, before the band let rip. Superb vocals, excellent harmonizing and more chunky riffs abound. The guitar and keyboard passages are simply superb. The track moves into an amazing organ sequence around the 3 minute mark and is added to with more excellent vocals. There is a change of direction just after 5 minutes, with superb vocals and harmonies over guitar and piano. A minute later and we are back to the guitar and keyboards “showing off.” The music then drops away into the background apart from a simple passage that can be heard as a little aural oasis is provided. Moving towards the 9 minute point, there is a fabulous guitar solo which flows so well and then the other instruments pitch in and the band is back in action, while the guitar continues to fly. There is a change to a simple piano/synth passage before the band blast back and into amazing harmonies and guitar riffing before the keyboards gently finish the track off.

“According To Plan” (6:46) is a driving track highlighting the guitars and keyboards and never lets up for a moment. “Tears Gone Dry” (12:33) is a slow atmospheric burner which just builds and builds in intensity. The characteristic harmonizing and guitar playing are littered through this track. “Silent Giant” (5:30) has its heavy and light moments constantly pulling the listener into the music.

The closing track on the album, “King For A Day” (28:16) is of epic proportions and starts off very gently with a piano passage which morphs into synths and then full band very quickly. The guitar and the keyboards are again the driving forces of the track and little “hooks” start to appear all over the track. Changes in the tempo start to appear around the 5 minute point and the harmonized vocals, a characteristic of Magic Pie, appear. The retro organ sound floats around behind the voices but adds another level to the music. Reaching 8 minutes, the track has already moved in many directions, but is always nailed down by the foundations provided by the “engine” of the band, Lars and Jan on bass and drums respectively. The 10 minute mark has a majestic guitar passage that moves the track into a very laidback acoustic passage, including some very jazzy guitar as the track evolves into a more up-tempo keyboard passage, which is nothing short of stunning. The band then get to flex their collective musical muscles as the track drives along. Around 17:30 minutes, there is a jazzy passage featuring piano/synths, which escorts in a chunky guitar passage as the intensity starts to climb. 22 minutes into the track and there is a very atmospheric sequence with far-off sounds of people and sirens. The harmonized vocals reappear and the track builds as the guitar starts to fly as the track moves towards completion.

King For A Day is a superb release by a band that know exactly what they are about. Album No 4 shows that Magic Pie have again hit the bullseye, with soaring guitars, sweeping keyboards, thundering bass and drums and crystal clear vocals, plus excellent harmonizing. The band can produce atmospheric sounds, ballads, gentle acoustics and full on band interplay, between and within tracks.

If you have not listened to Magic Pie, my advice would be to do so as soon as possible. King For A Day will not disappoint. 

I will end with a simple statement, “Welcome Back, Magic Pie.”

5/5 Stars

Key Tracks: Trick Of The Trade, Introversion, King For A Day

Tracks:

Trick Of The Trade
Introversion
According To Plan
Tears Gone By
Silent Giant
King For A Day


Jim “The Ancient One” Lawson-Sr. Reviewer Prog Rock Music Talk
June 10, 2015
Review Provided By Prog Rock Music Talk





Comments

Popular posts from this blog

New Age Instrumental Review: Anaya Music-AONKI – Gateway of Love (Cosmic New Age Music)

Release Date: February 2, 2018 Label: Anaya Music Website
Around this time a year ago I had the experience of listening to Anaya Music and providing coverage of Eternity.  It was an uplifting experience and a memorable listen as I recall.
Now with February drawing closer AONKI – Gateway of Love (Cosmic New Age Music) will arrive.
Once again, the recording features several exceptional collaborations between Anaya Music and a live virtual symphony orchestra recorded in the heart of Prague, the capital of the Czech republic. The orchestra combines members of the finest ensembles in Prague, including the Czech Philharmonic.
I think they should rename the orchestra to “The Live Spiritual Orchestra.” If you have been exposed to Anaya Music you will understand what that means. If this is your first journey with this music you will find out very quickly. Either way, this is spiritually uplifting music that leaves a smile on your soul. It’s like the term digital footprint, there is an everlasting m…

Jazz Fusion-Rock-Pop-Funk Review: Project Grand Slam-Trippin’

Release Date: June 29, 2018 Label: Cakewalk Records Website
This will be my sixth voyage into the world of Project Grand Slam (PGS). So, what is this experience going to be like this time? I would expect the same great combination of jazz, rock, funk, and pop that I always enjoyed.

Just so you all know PGS is: Robert Miller (bass), Mario Castro (saxophones), Bayden Goyo (keyboards), Joel E. Mateo (drums), Guillermo Barron Rios (percussion), Tristan Clark (guitar) and the beautiful Ms. Ziarra Washington (vocals).

So, now we are Trippin’ into 2018 with PGS. And the first track titled “1972” was like turning on the radio and hearing the Average White Band or Tower of Power. Yes sir, on the AM dial, it came blaring through back in those days. 

The title track is a real gas too. This number has some great sax from Castro and a killer rhythm section courtesy of Miller and Mateo. It shines the spotlight on them clear and bright. Let me tell you, those two are like the dynamic duo, kind of like a p…

New Biography on The Cars Singer/Bassist Benjamin Orr by Vermont Writer Joe Milliken to be Published November 2018!

Bellows Falls, VT – Veteran music journalist Joe Milliken recently announced a publishing deal with the Lanham, Maryland-based publisher Rowman & Littlefield Publishers to produce his first book, a biography about the late Benjamin Orr. Orr was the co-founder, co-lead singer, and bassist for the platinum-selling rock band The Cars. Titled Let’s Go! Benjamin Orr and The Cars, a release date is set for November 15, 2018.

Often considered the band’s heartthrob, Orr possessed an incredible voice, diverse musical talent and rare stage presence, all balanced by a magnetic, yet enigmatic personality, striking good looks, and a relentless determination to reach rock stardom. Born Benjamin Orzechowski (aka “Benny Eleven Letters”) and raised in the Cleveland suburb of Parma Heights, Orr was, prior to becoming a world-famous rock star with The Cars, a “teen star” as a house band musician for the nationally syndicated television show Upbeat.

A few years later Ben met his musical partner and …