Skip to main content

Progressive Metal Review: Voyager-V

Release Date: June 2, 2014
Label: Nightmare Records

If there is one band from the progressive metal that you need to get yourself acquainted with, it is the Australian band Voyager.   Describing their sound as “Australian pop sensibility with modern progressive heaviness,” Voyager’s music will leave a lasting impression long after the final chord has been played.  Hailing from Perth, Western Australia, Voyager formed in 1999 and consists of Daniel Estrin (vocals, keyboards), Simone Dew (guitars), Alex Canion (bass, backing vocals), Scott Kay (guitars), and Ashley Doodkorte (drums).

V is Voyager’s fifth album and to call it a masterpiece is not a stretch of the imagination by any means.  It is just another remainder of why I think that progressive metal is probably the strongest genre of music going today.  It is hard not to come away from this album impressed.  They have all the right moves with seemingly no missteps.  They are highly creative and know how to blend various influences into their progressive metal sound. 

Voyager knows how to hook an audience with its opening track.  “Hyperventilating” is the type of beginning song that gets one excited for the rest of the album.  It has the right touch of soaring metal riffs with pulsating drums and shredding guitars to get things popping. And then there is the chorus, which is just melodic and hypnotic goodness.  Following it up is the up-tempo, hard-rocking “Breaking Down.” It is another melodic and catchy song that is also has a very radio friendly sound.

With its energetic opening, “A Beautiful Mistake” is a vibrant song that becomes really memorable in its second half.  This is because of guest vocalist Zemyna Kuliukas and her hauntingly beautiful voice.  The blend of the two vocalists is astounding.  The short, spacey “Fortune Favors the Blind” leads directly into
“You the Shallow,” which is the type of song that seeks to destroy your ears from the beginning with some pulsating metal music.  The vocals are crisp and clear, as to be expected by now, and the tempo changes are done flawlessly.

‘Embrace the Limitless” switches things up, perhaps a little too much.  The synthesizer and the classic video game sound clashes a bit with the main rock sound.  I think that it is kind of song that might grow on some people after repeat listens, but not for all.  The synth-lead “Orpheus” makes for a great hybrid electronic/metal sound and the mixing of clean vocals and growls add a little something extra to the song’s atmosphere.  “The Domination Game” comes out killing it with some unrelenting metal riffs, which lead into a melodic chorus for the sprinkles on top.  The subtle and enchanting opening of “Peacekeeper” is like nothing else on the album.

The robust opening sets the tone for “It’s a Wonder.”  Its manic energy is electric and the sound moves fluidly between aggressive and melodic.  The hammering opening of “The Morning Light” is reminiscent of the theme for the Terminator movies.  It then moves to a more euphonic and uplifting sound.  “Summer Always Comes Again” is short and sweet and beautifully sad. “Seasons of Age” is a slow building song with a piano and drums before the guitar jumps in to spice it up.  The crisp drums end the album on a high note.   

Voyager’s V is the kind of album that makes people become fans on the first listen.  It is unique, sophisticated, emotional, beautiful, and so much more.  I cannot recommend V enough to fans of the genre, and to others, this is the type of album that will broaden your musical horizons. It shows these music veterans performing at a top level, which is on display in every song. Voyager is the type of band who push the genre forward, and that is always a good thing when it comes to music.

5/5 Stars

Key Tracks: ALL

Tracks: 
01.Hyperventilating
02.Breaking Down
03.A Beautiful Mistake
04.Fortune Favors the Blind
05.You the Shallow
06.Embrace the Limitless
07.Orpheus
08.The Domination Game
09.Peacekeeper
10.It’s a Wonder
11.The Morning Light
12.Summer Always Comes Again
13.Seasons of Age 


Brian McKinnon

August 15, 2014

Review Provided By Prog Rock Music Talk

Comments

Popular posts from this blog

New Age Instrumental Review: Anaya Music-AONKI – Gateway of Love (Cosmic New Age Music)

Release Date: February 2, 2018 Label: Anaya Music Website
Around this time a year ago I had the experience of listening to Anaya Music and providing coverage of Eternity.  It was an uplifting experience and a memorable listen as I recall.
Now with February drawing closer AONKI – Gateway of Love (Cosmic New Age Music) will arrive.
Once again, the recording features several exceptional collaborations between Anaya Music and a live virtual symphony orchestra recorded in the heart of Prague, the capital of the Czech republic. The orchestra combines members of the finest ensembles in Prague, including the Czech Philharmonic.
I think they should rename the orchestra to “The Live Spiritual Orchestra.” If you have been exposed to Anaya Music you will understand what that means. If this is your first journey with this music you will find out very quickly. Either way, this is spiritually uplifting music that leaves a smile on your soul. It’s like the term digital footprint, there is an everlasting m…

Jazz Fusion-Rock-Pop-Funk Review: Project Grand Slam-Trippin’

Release Date: June 29, 2018 Label: Cakewalk Records Website
This will be my sixth voyage into the world of Project Grand Slam (PGS). So, what is this experience going to be like this time? I would expect the same great combination of jazz, rock, funk, and pop that I always enjoyed.

Just so you all know PGS is: Robert Miller (bass), Mario Castro (saxophones), Bayden Goyo (keyboards), Joel E. Mateo (drums), Guillermo Barron Rios (percussion), Tristan Clark (guitar) and the beautiful Ms. Ziarra Washington (vocals).

So, now we are Trippin’ into 2018 with PGS. And the first track titled “1972” was like turning on the radio and hearing the Average White Band or Tower of Power. Yes sir, on the AM dial, it came blaring through back in those days. 

The title track is a real gas too. This number has some great sax from Castro and a killer rhythm section courtesy of Miller and Mateo. It shines the spotlight on them clear and bright. Let me tell you, those two are like the dynamic duo, kind of like a p…

New Biography on The Cars Singer/Bassist Benjamin Orr by Vermont Writer Joe Milliken to be Published November 2018!

Bellows Falls, VT – Veteran music journalist Joe Milliken recently announced a publishing deal with the Lanham, Maryland-based publisher Rowman & Littlefield Publishers to produce his first book, a biography about the late Benjamin Orr. Orr was the co-founder, co-lead singer, and bassist for the platinum-selling rock band The Cars. Titled Let’s Go! Benjamin Orr and The Cars, a release date is set for November 15, 2018.

Often considered the band’s heartthrob, Orr possessed an incredible voice, diverse musical talent and rare stage presence, all balanced by a magnetic, yet enigmatic personality, striking good looks, and a relentless determination to reach rock stardom. Born Benjamin Orzechowski (aka “Benny Eleven Letters”) and raised in the Cleveland suburb of Parma Heights, Orr was, prior to becoming a world-famous rock star with The Cars, a “teen star” as a house band musician for the nationally syndicated television show Upbeat.

A few years later Ben met his musical partner and …