Skip to main content

Progressive Rock Review: Focus-Golden Oldies

Release Date:  14th April 2014
Label:   In and Out of Focus Records

Focus, the band, was originally formed in 1969 then split up in 1978 and reformed in the early 2000’s, recording and touring since then. The latest line-up has been together since 2011, although Focus aficionados will wax lyrical about which version of the band they feel was the best. Consequently with the “new” Focus, it would seem better to, wait for it, “focus” on the new material being issued. I was suitably impressed with X when I reviewed it in 2013. Here was a band that sounded as if they meant business, taking the Focus legacy and pushing the boundaries just a little bit. Now I am presented with the latest release from the band titled Golden Oldies, and I think the title tells us all we need to know about the contents.

The current band has four members and they are, Thijs Van Leer (Hammond organ, flute, vocoder, vocals), Pierre Van Der Linden (drums), Bobby Jacobs (bass) and Menno Gootjes (guitars). Thijs was the founder of the band in 1969 and Pierre was only a year later in joining the band, although he has left and rejoined a couple of times, Bobby became a member when the band reformed in 2002 and Menno is the “youngest” band member having joined in 2011.

Thijs Van Leer has explained the reasoning for this release with the quote, “Producing Golden Oldies was tricky with both diehard fans and 2014 Focus members having doubts about the enterprise. We didn’t know if the recent record would match the original material. We had so much fun doing the session, quick, romantic, virtuoso, full of funny moments and profoundness. The final mix turned out to be fantastic.”  With that in mind, how does this reviewer feel that a rerecorded oldies album goes down?  

Golden Oldies is a 9 track album with a running time of around 50 minutes. The longest track on the album is “Focus 3 and 2” which runs on for 7:35 minutes and “House of the King” is the shortest at 3:20 minutes. All tracks are re-workings of earlier material, with 7 taken from 1978 or earlier and the other 2 are recordings by the reformed band from 2002 onwards.

First up is “Hocus Pocus” (6:51) and to be honest, what else would you start a Golden Oldiesalbum with?  The start is excellent and immediately takes you back in time. Always a blast from start to finish, this is a magnificent piece of music and the bands’ reworking doesn’t shift far from the original, with the Thijs Van Leer vocal sounding a little strained at points, but he is a bit older. There are a little more shrieks at times, but the long drawn out ending doesn’t add anything to the original.

“Tommy” (4:16) is a lesser known Focus track, coming as it does from the long suite on Moving Waves (1971) entitled “Eruption” and it is a typically soaring guitar instrumental. This leads on to one of the earliest Focus tracks, “House of the King” (3:20) with its acoustic guitar intro and that very “Jethro Tull” sounding flute passages which simply motor along.

There are two of the self-titled tracks on show, “Focus 1” (6:58) and Focus 3 and 2 (7:35), the former includes a vocal, very gruff and gritty, and the latter is a terrific instrumental, both encompassing the same theme which appears in different guises across all Focus releases.

While the tracks thus far have not strayed much, if at all, from the originals, “Sylvia” (5:29) is very different. It is initially unrecognizable as “Sylvia” with a changed start and then after 1:30 minutes the original theme puts in an appearance. The track is also 2 minutes longer in length with the band getting a workout on this cover. There are some piano “fills” thrown in from time to time and at around 4:20 minutes, the track takes on another slice of life with a new passage which then seamlessly slips back into the original music again.

“Brother” (6:30) I have always found a bit of an odd song in that the instrumental passages are superb, but the vocals seem to pull the song down and the same happens here.

The final two tracks are from the bands newer reincarnation and “Aye Yippee Hippie Yee” (5:30) is an attempt to recreate the magnificent “Hocus Pocus,” and was not the only attempt to do so by the band, as “Neurotika” (3:40) also shows very clearly.

I was actually pleasantly surprised that I enjoyed much of Golden Oldies, considering the feeling of trepidation I had prior to hitting the play button. Most of my enjoyment was generated by the longevity of the Focus music, but I am still at a bit of a loss to understand why this album has been issued. For the most part, the music on offer varies little from the original recordings and while I could see some value in releasing a “live” greatest hits recording with the “new” band, I just don’t get this release at all.

The target audience for Golden Oldies may well be those attending current Focus concerts and then looking to purchase an album, although I don’t think that Golden Oldies will be an essential purchase for diehard Focus followers. Despite my enjoyment at hearing the oldies again, I think that this release is, if not a backward step, then at least it is a “running to get nowhere” release, especially after the promise shown by the X album released last year.

3.5/5 Stars

Key Tracks: Focus 1, Sylvia, Focus 3 and 2

Hocus Pocus
House Of The King
Focus 1
Focus 3 and 2

Jim “The Ancient One” Lawson-Sr. Reviewer Prog Rock Music Talk

July 12, 2014

Review Provided By Prog Rock Music Talk


Popular posts from this blog

Rock Review: Aunt Mary-New Dawn

Release Date: 12th February 2016 Label: Wind-Up Website
Aunt Mary, as a name, somehow suggests an “older” band and it came as no real surprise to find that they are a Norwegian prog band from the 70’s. The band were considered by many to be one of the best prog bands in Norway with their brand of music a mixture of heavy hard rock tunes plus clear indications of a more symphonic nature, although that only really showed itself on their 3rd, and last, studio album, Janus, in 1973. Last that is, until now, with the release of New Dawn. This would appear to be an apt title for a release which follows 24 years after an album of blues covers, released in 1992. 

At their height, Aunt Mary were “up there” with the likes of Deep Purple, Ten Years After, King Crimson, Jethro Tull and many more. After the release of Janus in 1973, the band split up but did a few sporadic appearances, as well as releasing the blues covers album mentioned earlier.

3 years ago, the Norwegian guitar legend and producer, …

Alternative Rock: mariaFausta -Million Faces

Release Date: November 12, 2017
Label: Independent
Website mariaFausta is a European alternative rock vocalist. Recently her album Million Faces became available. I knew that she would probably sing with an accent and she does. Here is the thing with that aspect of a recording artist, either you cannot get past it or you like it, there is no middle ground. After that process and you decide you like it, you realize it is part of the charisma and make up of what the artist is presenting. For my ears things landed on the positive side in all aspects.

Maria’s sound is a varied approach that works very well. It certainly is alternative rock and one of the most original and different albums I have heard in 2017. I hear a ton of instrumental music and sometimes find it difficult with redundancy regarding my words. That is something that all writers worry about. You are cognizant of that fact at all times. Well let me tell you, this music was a total joy to hear and then have the opportunity to p…

New Age Instrumental Review: Anaya Music-AONKI – Gateway of Love (Cosmic New Age Music)

Release Date: February 2, 2018 Label: Anaya Music Website
Around this time a year ago I had the experience of listening to Anaya Music and providing coverage of Eternity.  It was an uplifting experience and a memorable listen as I recall.
Now with February drawing closer AONKI – Gateway of Love (Cosmic New Age Music) will arrive.
Once again, the recording features several exceptional collaborations between Anaya Music and a live virtual symphony orchestra recorded in the heart of Prague, the capital of the Czech republic. The orchestra combines members of the finest ensembles in Prague, including the Czech Philharmonic.
I think they should rename the orchestra to “The Live Spiritual Orchestra.” If you have been exposed to Anaya Music you will understand what that means. If this is your first journey with this music you will find out very quickly. Either way, this is spiritually uplifting music that leaves a smile on your soul. It’s like the term digital footprint, there is an everlasting m…