Skip to main content

Blues Guitarist Eli Cook To Release New CD Featuring Guest Appearances by Leslie West, Pat Travers, Harvey Mandel, Artimus Pyle, Vinny Appice, Tinsley Ellis, Rod Piazza, Eric Gales and members of Gov't Mule & Double Trouble


“Eli is on his way!” - Leslie West

Los Angeles, CA – Much to the anticipation of blues music aficionados worldwide, acclaimed blues guitarist Eli Cook will be releasing his new CD titled 'Primitive Son' on April 29, 2014 on Cleopatra Records. Making this eagerly awaited release even more exciting is the inclusion of legendary guest artists such as Leslie West of Mountain, Pat Travers, Artimus Pyle (Lynyrd Skynyrd), Harvey Mandel, Eric Gales, Reese Wynans of Double Trouble, Vinny Appice (Black Sabbath, Ronnie James Dio), Tinsley Ellis, Rod Piazza and Jorgon Carlson of Gov't Mule! The legendary Son House (1902-1988) was known to say “Blues is a feelin’”. Eli Cook’s music expresses that same raw honesty in a unique blend of contemporary and old-school styles, creating an original sound at the fore-front of modern Blues and Rock.

Says Eli, “ 'Primitive Son' is a mix of modern and old-school blues with contemporary topics and an emphasis on lyricism and arrangement in an epic bar-rock format. With production and vibe, much of the material was constructed be a kind of 'Exile on Main St' with modern recording and songs, type-of-thing. There are a few more slick production pieces that we pushed in an almost cinematic direction for dramatic effect, and that comes from me being a film score nut. I like creating dynamic arrangements with limited instrumentation.”

“I have heard quite a few guitar players that are young and just starting out. When I was asked to play a track with Eli Cook I wanted to see if there was something there. Believe me when I tell you THERE IS SOMETHING THERE! I hope you enjoy listening to it as much as I did playing on it. Eli is on his way!” - Leslie West

Eli took up the guitar as a teenager in the Blue Ridge foothills of Virginia. Following the tradition of the great blues men, he performed in churches and late-night gospel revivals with only his acoustic and deep baritone voice, while playing every hole-in-the-wall bar that could handle his electric power trio. Blending the influences of John Lee Hooker, Muddy Waters, Fred MacDowell, Bukka White and Lightning Hopkins with the likes of Clutch, Soundgarden, C.O.C, and Rage against the Machine, he forged a fresh sound, alive with the southern blues tradition.

Eli recorded and released his first two albums between 2004 and 2007: the all-acoustic, original-roots album 'Miss Blues’ Child' on the Sledgehammer Blues label, and a heavy blues-rock release 'ElectricHolyFireWater'. During this time he was invited to open for B.B. King on King's east coast tour. Since then, Eli has shared the stage with Johnny Winter, Robert Cray, Parliament-Funkadellic, Gary Clark JR, Roomful of Blues and many others. In 2008, Eli released his third self-produced album, 'Static in the Blood', a modern R&B/Rock crossover project featuring ornate experimental studio production. The follow up album, 'Ace Jack & King', a return to roots-blues and heavy guitars, received critical acclaim. The All Music Guide proclaimed that Eli could be “the best blues singer of his generation.”

In 2013, Eli signed with LA-based label Cleopatra Records to begin work on his 5th studio album, 'Primitive Son', featuring guest appearances by rock and blues legends! Now, much to the excitement of Eli's fans worldwide, the wait is over!

Eli has been earning rave reviews from both critics and fellow blues musicians alike - Tinsley Ellis called him a “triple threat, obviously a great guitarist but also an emotive singer and an innovative songwriter. He’s in the vanguard of young, 21st century blues rockers!”

“I was honored to record for Eli's new cd. The track is destined for stardom, as is Eli!” - Rod Piazza

Says Eli, “The label was instrumental in getting the guest stars on board, though they did have to approve of the material before agreeing to collaborate. It's nice when people like Leslie West, Eric Gales and Tinsley Ellis dig your songs and get inspired to rock out on them!”

Watch Eli Cook's promotional video:
https://www.youtube.com/watch?v=T4ipqf_63-g&feature=youtu.be#aid=P-eHTUQNrBw

Check out Eli's upcoming shows:
May 9 Concerts on the Docks, Huntsville, Al
May 10 Slick Willy's South, Belton, MO
May 11 Nathan P Murphy's Blues Club, Springfield, MO
May 13 Greens & Blues, Boulder, CO
May 15 Silver Lake Lounge, Los Angeles, CA
May 16 Paladino's, Tarzana, CA
May 17 Duel Brewing, Santa Fe, NM
May 18 BB's Jazz, Blues, & Soups, St. Louis, MO

For more information: www.EliCook.com

Eli Cook's 'Primitive Son' iTunes pre-order link: http://georiot.co/EliCook – featuring the song “Revelator” available as an “instant gratification” track (meaning that it can be immediately downloaded by anyone who pre-orders the whole album).

Amazon pre-order for CD: http://georiot.co/EliCookCD
Press Inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Comments

Popular posts from this blog

Rock Review: Aunt Mary-New Dawn

Release Date: 12th February 2016 Label: Wind-Up Website
Aunt Mary, as a name, somehow suggests an “older” band and it came as no real surprise to find that they are a Norwegian prog band from the 70’s. The band were considered by many to be one of the best prog bands in Norway with their brand of music a mixture of heavy hard rock tunes plus clear indications of a more symphonic nature, although that only really showed itself on their 3rd, and last, studio album, Janus, in 1973. Last that is, until now, with the release of New Dawn. This would appear to be an apt title for a release which follows 24 years after an album of blues covers, released in 1992. 

At their height, Aunt Mary were “up there” with the likes of Deep Purple, Ten Years After, King Crimson, Jethro Tull and many more. After the release of Janus in 1973, the band split up but did a few sporadic appearances, as well as releasing the blues covers album mentioned earlier.

3 years ago, the Norwegian guitar legend and producer, …

New Age Instrumental Review: Anaya Music-AONKI – Gateway of Love (Cosmic New Age Music)

Release Date: February 2, 2018 Label: Anaya Music Website
Around this time a year ago I had the experience of listening to Anaya Music and providing coverage of Eternity.  It was an uplifting experience and a memorable listen as I recall.
Now with February drawing closer AONKI – Gateway of Love (Cosmic New Age Music) will arrive.
Once again, the recording features several exceptional collaborations between Anaya Music and a live virtual symphony orchestra recorded in the heart of Prague, the capital of the Czech republic. The orchestra combines members of the finest ensembles in Prague, including the Czech Philharmonic.
I think they should rename the orchestra to “The Live Spiritual Orchestra.” If you have been exposed to Anaya Music you will understand what that means. If this is your first journey with this music you will find out very quickly. Either way, this is spiritually uplifting music that leaves a smile on your soul. It’s like the term digital footprint, there is an everlasting m…

Jazz Fusion-Rock-Pop-Funk Review: Project Grand Slam-Trippin’

Release Date: June 29, 2018 Label: Cakewalk Records Website
This will be my sixth voyage into the world of Project Grand Slam (PGS). So, what is this experience going to be like this time? I would expect the same great combination of jazz, rock, funk, and pop that I always enjoyed.

Just so you all know PGS is: Robert Miller (bass), Mario Castro (saxophones), Bayden Goyo (keyboards), Joel E. Mateo (drums), Guillermo Barron Rios (percussion), Tristan Clark (guitar) and the beautiful Ms. Ziarra Washington (vocals).

So, now we are Trippin’ into 2018 with PGS. And the first track titled “1972” was like turning on the radio and hearing the Average White Band or Tower of Power. Yes sir, on the AM dial, it came blaring through back in those days. 

The title track is a real gas too. This number has some great sax from Castro and a killer rhythm section courtesy of Miller and Mateo. It shines the spotlight on them clear and bright. Let me tell you, those two are like the dynamic duo, kind of like a p…